The Flex Drive is our most versatile overdrive of the bunch. This was our attempt to achieve the Malcolm sound which is one of our favorite rhythm tones ever. However, the Flex Drive will get you all the way to VH-2 which happens to be one of our favorite lead tones ever. Luckily enough all of the tones in between can achieve amazing blues and country tones as well, that’s why we call it the Flex Drive. This is just an incredible tool for studio and live performances.

Flex Drive Settings

The Lemon Aid was the most difficult pedal to name due to its versatility. It is a boost pedal in essence but it also acts as a sort of preamp or frequency modifier. This pedal offers a clean, treble and full boost all in one. However, each boost position is adjustable in several aspects. You can make any one of the desired boost settings either thicker or thinner or you can cut the overall output to make the effect more subtle. The combinations of all of the available settings give you a myriad of boosts and frequency modifications. We love to use it as a lead boost for any overdrive but on its own you can achieve the most lush and beautiful clean tones that sustain incredibly well. You can also run the pedal on its loudest setting and slam the front end of your amp for natural crunchy tones. The Lemon Aid works equally well as a bass boost and an acoustic guitar preamp…..this pedal will honestly improve the tones of every other overdrive pedal on your board.

Lemon Aid Settings

The Blue Note gives you a very woodsy blues feel and can achieve more gain than a typical tube screamer (no this isn't another tubescreamer clone just using this as a reference). With the newly added "Hot" switch the pedal is capable of multiple tones. The "Hot" switch adds more gain, more volume and gooses the low mids for a thick juicy feel. The Blue note can be set to run flat in its EQ section or select the "Hot" position for more prominent mids. Since the Blue note can be run in either position it makes it suitable for many applications. This pedal is all about feel and really works well with any guitar/amp combination. This is one of our favorites.

Blue Note OD Settings

The 10 Ton Hammer is pretty self explanatory. This pedal was designed for the high gain old school purist. With separate bass and treble controls this pedal allows for very tweakable tones. We personally favor the old school high gain tones with very tight low end and articulate chord voicings but still with a natural drive. Drop the 10 Ton Hammer on the hardest piece of old school metal you have!

10 Ton Hammer Settings

The Chicken Soup Overdrive was aimed at the Nashville crowd. This pedal gives you that extremely transparent twanky tone as we like to say. Great for Teles and Strats. Think ODR-1 but improved. This pedal is very simple but very effective as well. The Chicken Soup Overdrive is extremely quiet with true bypass just like all of our pedals.

Chicken Soup OD Settings

The Animal is our creation of a 1968 Plexi Sound. The Animal is an extremely open and amp like sound that can get you from a stock plexi to a modified plexi with the flick of the snarl switch. The Animal can get very aggressive but it is by no means a distortion pedal, just think of a cranked plexi and how open and natural it sounds. We love this pedal!

The AC 63 is our take on an old 63 Top Boost. This pedal gives you very sweet mid range and articulate chord voicings for that jangly type of tone. The AC 63 can achieve medium gain so it will get into lead territory. We added separate bass and treble so it can be tweaked for any amp.

The Choke Hold Compressor is a complete compressor tool as we like to call it. It gives you the most respected and loved compressor circuit with more flexibility. A three way switch enables you to run the standard old school sound or you can give it 2 stages of jangle. Our blend knob gives you the ability to really delicately combine dry and effected signals to your taste.

The S.O.S. buffer is a unique buffer not based on the standard opamp style circuit. We feel this is the most effective buffer on the market with what we call a recovery control for retention of highs. Some buffers tend to thin your tone and some applications are less optimal for the use of a buffer. The recovery control let’s you fine tune your signal to make it as natural sounding as possible when running multiple pedals. We have found it to be a must have in our pedal boards.